We then watched all of our shots to see if we had everything we needed and then discussed them and colour coded our shots so it would be easier to tell which one was our best shot when putting it all together. We began to mark in and mark out our shots from the first scene and put them together quite quickly. We experimented with the order of our shots to see what worked most effectively. We all contributed our opinions equally and even though we sometimes had different opinions, we listened to each others' ideas and made decisions together. We then had a click around and found the cross dissolve effect, which we ended up using quite a lot in our opening.
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Rough cut:
Thriller Rough Cut from BDC on Vimeo.
At this stage in our editing we made a rough cut of our opening, which we managed to get to the end of it what we wanted. Obviously we need to add music and titles. We made a list of everything we needed to do from here:
- Fix over exposed shots (1:04, 1:32, 2:48)
- Speed up shot that pans from the computer screen to woman 2's face. (0:38)
- Make some shots look more "gritty" as some give too much verisimilitude.
- Add titles.
- Add music using Soundtrack Pro.
- Fix audio where you can hear us behind the camera and dip louder sounds like the van going past.
- Make the picture taking more obvious as it is very important. Maybe put the still image of the photo in there.
-Decide on what to call our Thriller.
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEihq61euWWmdmJQHMw43p1jm1TTCYnKpzjoJfxKbs9PFksMOHLxcjfXzVrwVWv4XwTg4u7mIgY7D071rq9Ip4TbItn6QrnNb_fAqwOpHIvUOiOSFvqtBLCNRIOZ-DwbZ5mUtJup553tRyLb/s200/IMG00239-20110127-1241.jpg)
We then managed to layer a black and white shot over our shot which we mixed to make our inside shots more appealing as the scene with in the classroom looked too cheerful with yellow walls and sunlight pouring in, so we used this effect for a more threatening mood. We also decided to add this to most of our brighter outside shots as well as it made our shots more consistent.
We used the razor tool to split she shot where woman 2 smiles so that we could speed up the beginning of it and keep the rest the same. Then, we shortened some more shots for a more speedy pace.
We began to add titles and had some trouble with picking an appropriate font as we wanted something plain but not too boring. We decided on a sans serif font at first, which I thought looked a bit too plain and curvy for a thriller film, but we wrote all our titles, placing them randomly so we can sort them out next lesson.
Titles (in order):
An AAC production
In association with LOCK Studios
Jack Smart
Hannah Mellows
Sophie Banks
Title of our thriller
We spend the rest of the lesson thinking about what to call our thriller. We looked in a thesaurus for words that mean unseen but didn't find anything that we really liked. We then decided to relate our title to the most important thing in our opening - the photograph. We thought SNAPSHOT had a good ring to it.
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Final edited title |
When creating our titles we couldn't find an effective font our the title of our film and didn't have enough time to go through every font. Therefore, I went through every font on my computer at home and picked out a few of my favourites. I made all of the titles bold and in capital letters so that it would stand out. I then e-mailed Sophie and Jack the image below and they helped to make a final decision on the font, which I edited to make it look more interesting.
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Options for a title |
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj3MNFxHOC3yp6u2lPU91tUGUVUAqWbLDGaLjxw_Dun5uxliXPN1S4zF35T6zWjkXoIKIPm9LRRBvp-OX39VDbfRhTcrbD25KfjYuoprdEt8nQDe5TPf99JCxAIrGwh6jyEoDfnBHRuUa8n/s320/photo.jpg)
We then fixed the sound in some of our shots as you could hear us talking behind the camera, a van driving past and mobile phone signal sounds. We dipped the sound for some of these things but for others we copy and pasted sound from our other shots that fitted well. We made sure that we were happy with everything in our thriller and made necessary changes before creating the soundtrack because we knew that we wouldn't be able to change things (timing-wise) after we put the sound in.
We imported our video into SoundtrackPro so we could fit our soundtrack in with what was going on visually and our natural diegetic sounds. We had experimented with lots of sounds previously and had written the names of them down. So we put those together. The ticking clock sound was our main sound as it ran through the whole opening. We added some sounds over the top and built the volume one was a force field sound and one was a drone machine. We added an explosion sound effect when our title shows to give it more emphasis and to make the audience jump. We then chose our music for the walking scenes. Luckily, we found the perfect music instantly and it built up really effectively and worked with all of our shots. We learnt how to control the volume of our sounds and fade them in and out.
We then imported the finished soundtrack into our edit and watched it through. The sound had made it so much more effective as the sounds really gave an 'on the edge' atmosphere and the music built a lot of tension. We used the razor blade tool to separate the Snapshot title to create a flashing effect so it looked like a flash of a camera and worked well with the explosion sound effect. We then made sure that this didn't change the length of our thriller as that would change how the music built.
We imported our video into SoundtrackPro so we could fit our soundtrack in with what was going on visually and our natural diegetic sounds. We had experimented with lots of sounds previously and had written the names of them down. So we put those together. The ticking clock sound was our main sound as it ran through the whole opening. We added some sounds over the top and built the volume one was a force field sound and one was a drone machine. We added an explosion sound effect when our title shows to give it more emphasis and to make the audience jump. We then chose our music for the walking scenes. Luckily, we found the perfect music instantly and it built up really effectively and worked with all of our shots. We learnt how to control the volume of our sounds and fade them in and out.
We then imported the finished soundtrack into our edit and watched it through. The sound had made it so much more effective as the sounds really gave an 'on the edge' atmosphere and the music built a lot of tension. We used the razor blade tool to separate the Snapshot title to create a flashing effect so it looked like a flash of a camera and worked well with the explosion sound effect. We then made sure that this didn't change the length of our thriller as that would change how the music built.